![]() ![]() “A Chorus Line is not only the finest ‘backstage musical,’ but it is the best dance show ever.” – Chicago Critic This dynamic production, twice postponed by COVID-19, features bold new choreography by director Amy Campbell ( In the Heights (Helpmann Nominated for Best Choreography), HAIR, Funny Girl) and musical direction by Andrew Worboys.ĭuration: 2 hours plus 20 minute interval Ten Tony® Awards, a Pulitzer Prize for Drama and countless international plaudits later, it remains one of the most successful musicals of all time. During a grueling musical theatre audition, desperation will open the door to exploitation, and racism and sexism are rife.Ī Chorus Line opened on Broadway in 1975. ![]() Conceived and originally directed by Michael Bennett, A Chorus Line ripped down the curtain to reveal the struggles of Broadway performers to be seen, heard, recognised and respected.įeaturing the music of Marvin Hamlisch (including Dance Ten Looks Three, What I Did for Love and One) and based on interviews with real dancers, A Chorus Line shows what it means to put everything on the line. Even here, though, the dancers are subject to manipulation – the hands holding the camera belong to Zach (Adam Cooper), director of the show, sternly making his selection, or to Larry (Taylor Walker), his impatient assistant.Dive into a world of sweat, sacrifice and sensational choreography when music theatre’s singular sensation comes to Sydney Festival. At times, individuals dominate the setting – faces, projected in closeup on to the back wall. Against the soaring black walls of Grace Smart’s vast-seeming set, individuals appear small and vulnerable, their bright clothes an emblem of hope against darkness (Edd Lindley’s costumes). Staging and design add impact to the dramaturgical focus-shifts. Its continual focus-switching, from collective to individual experience, from gritty endurance to exuberant celebration, speaks powerfully to our pandemic-troubled times. Instead, it offers numerous characters, speaking, singing and dancing the often-harsh realities of their personal and professional lives (based on true stories told by dancers and recorded by Michael Bennett, who conceived, directed and choreographed the original production). Set in a rehearsal room, peopled by dancers nervously attending the final audition to become part of the chorus for a Broadway show, the 1975 musical has no flashy costumes, no stunning sets, no standout solo parts. ![]() I t’s not difficult to see why Nikolai Foster has chosen A Chorus Line as Curve’s first post-Covid Christmas show. ![]()
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